19th
December 2004
For Telugu cinema followers born in the sixties and seventies,
the name Natabhushana Shobhan Babu evokes some pleasant memories.
Popularly known as Sobhan, he shares the honor for breaking
the duopolistic competition that was prevailing in the field
till the early seventies. His meteoric rise in the field not
only provided relief to the variety starved audience but was
also a boon to producers, who could not afford to work with
NTR and ANR. With successive hits like Veerabhimanyu,
Manushulumaarali, Kalyanamantam, Tahsildhargaari Ammaayi,
this debonair acquired a huge fan base all over the state
in real time. Though popular with the masses, he commanded
a huge following in the ladies segment and for most of them,
he was their Casanova. Despite his prolific record, the current
generation of movie watchers are either completely oblivious
to his achievements or remember him only as a "ladies
man". The mendacity of such argument stems from the fact
that he did more family oriented movies during the latter
part of his career. But before he changed the course, he acted
in many mass movies like Judagaadu, Mosagadu, Khaidhi
Baabaayi, Manavudu Danavudu etc, which played a key
role in properly assessing the box-office potential
of several B and C centers. Ironically none of the "mass
stars" has the kind of "mass hits" to match
the range of his "mass movies". Though no longer
active in the field today- Sobhan had the nous to exit from
the field graciously-he is highly qualified to formally enter
the Tollywood hall of fame if the industry decides to have
one in place (like its Hollywood counterpart). Whether the
industry honors him or not, Sobhan deserves a rich tribute
at least in the most popular website in the business today
and we thought today, the December 19th 2004, as an apt day
as it marks the thirtieth anniversary of his biggest hit Soggaadu.
Produced by D.Ramanaidu under Suresh movies, Soggadu is the
last of the 8 releases of He-Man Shobhan in the year 1975-
his best year career wise. An easily identifiable subject,
great music and superlative performance from the front man
Sobhan made this the biggest hit of 1975. It had a direct
100 days run in 17 theaters plus two shift centers (see table)
and created several new records at the box-office.
No. |
Center |
Theater |
Days |
Description |
1 |
Vijayawada |
Alankar |
131 |
Direct |
2 |
Guntur |
Saraswati |
131 |
Direct |
3 |
Nellore |
Radha |
120 |
Direct |
4 |
Vizag |
Navrang |
110 |
Direct |
5 |
Rajahmundry |
Swamy |
110 |
Direct |
6 |
Hyderabad |
basant |
110 |
Direct |
7 |
Machilipatnam |
Radhika |
103 |
Direct |
8 |
Anakapally |
Satyanarayana |
103 |
Direct |
9 |
Kakinada |
Anand |
100 |
Direct |
10 |
Eluru |
Gopalakrishna |
100 |
Direct |
11 |
Bhimavaram |
Venkatrama |
100 |
Direct |
12 |
Tanuku |
Padmasri |
100 |
Direct |
13 |
Vijayanagaram |
Minerva |
100 |
Direct |
14 |
Ongle |
Ratna
Mahal |
100 |
Direct |
15 |
Cheerala |
Bhavani |
100 |
Direct |
16 |
Warangal |
Saroj |
100 |
Direct |
17 |
Kurnool |
Victory |
120 |
Direct |
18 |
Tirupti |
V.V.Mahal
and I.S.Mahal |
100 |
Shift |
19 |
Chittoor |
Srinivasa
and Lakshmi |
100 |
Shift |
20 |
Vizag |
Navrang |
100 |
Shift |
Paying
points of Soggadu:
1.He-Man
Sobhan Babu. Sobhan Babu, without an iota of doubt, was
the main architect of this highly successful film. After delivering
several super hits in the previous (four) year, Sobhan was
started 1975 on a highpoint. With two super hits - Jeevana
Jyothi , Jebudonga-and two hits - Devudu Chesina Pelli,
Balipeetam- and one commercial success Babu (Ace
Director K. Raghavenrea Rao's first directorial venture),
the stage was perfectly set for Sobhan's Soggadu. With two
new heroines (Jayasudha and Jayachitra), and a relatively
inexperience K.Bapaiah (his third movie), the entire burden
was on the He-Man's shoulders and he rose to the occasion
brilliantly by delivering one of his finest performances as
"Soggadu Sobhanadhri".
2.
Music: Music played a prominent role in increasing the
success range of this movie. Music director Mahadhevevan gave
several super hit songs like "Soggaadee Chinninaayana"
that the masses found it impossible to control their urge
for repeated viewings.
Records:
Right from day1, Soggadu created such a sensation that even
the movies released during 1976'sSankranthi found it hard
to withstand its onslaught. In a manner of speaking, Soggadu
was a watershed event in Telugu film history as it created
several records, which were hitherto unheard of. By crossing
the collections of erstwhile 100 days run movies in four to
five weeks, its success became the most widely discussed topic
in the industry then. Demographics mattered little to it as
it fared uniformly well in all centers -A, B or C. The following
is the list of records established by this musical hit.
1. Soggadu
is the first color film to celebrate 100 days on
title role in 3 centers in West Godavari (Eluru, Bhimavaram,
Tanuku) (Previous record Dr. A.N.R's Dasarabullodu -2 centers).
2. Soggadu
is the first color film to run 70 days on title role
in 4 centers in West Godavari (Eluru, Bhimavaram, Tanuku,
and Tadepalligudem-Ramtulasi-70 days) (Previous record Dasarabullodu
-2 centers).
3. Soggadu
is the first color film to run 50 days on title role
in 5 centers in West Godavari. ((Eluru, Bhimavaram, Tanuku,
and Tadepalligudem, and Palakollu-Gajalakshmi)
4. Soggadu
is the first color film to run 84 days on title
role in 4 centers in Guntur area. (Guntur, Ongole, Chirala,
and Tenali-Ratna-84 days).
5. Soggadu
is the first color film to celebrate 100 days on
title role in 3 centers in North Andhra (Vizag, Vijayanagaram,
Anakapalli) (Previous record Dasarabullodu -2 centers)
6.
Soggadu is the first color film to run 66 days on
title role in 4 centers in North Andhra (Vizag, Vijayanagaram,
Anakapalli, and Srikakulam)
7 Soggadu's
7 center 110-day run was a record (on title role)
up to Gangleader (except for Dr. NTR). Record prior to Soggadu
was Dasara bullodu-3 centers.
8. Soggadu
is the first film to celebrate 100 days on title role in
Anakapalli.
9. Soggadu
is the first social film to celebrate 100 days in
Anakapalli and second hundred days film in the town (first
one being Dr. NTR's Lavakusa).
10.
Soggadu is the first film to celebrate 100 days on
title role in Chittoor.
11.
Soggadu is the first social film to celebrate 100
days in Chittoor.
12.
Soggadu is the first social film that ran for 50
days in 12 centers in the ceded area. [1. Kurnool 2. Tirupathi.
3. Chittoor. 4. Anantapur-Raghuveer (84 days) 5. Cuddapah-Rahat.
6. Nandyal-khaleel. 7. Adoni-Mehboobiya-58 days. 8. Hindupur-Lakshmi
9. Guntakal-Crown 10. Madanapalli-Jyothi. 11. Proddatur-Rounakh
12. Hospet-lakshmi]
13.
Soggadu is the first film on title role, which ran
for 50 days in 7 centers in the Nizam [1. Hyderabad 2. Warangal.
3. Secunderabad-Chitrani. 4. Khammam-Sunder. 5. Nizamabad-Ramesh.
6. Karimnagar-Balakrishna. 7. Mahaboobnagar-Ashok]
14. Soggadu is the first social film that ran for
50 days in 7 centers in the Nizam area. [For details, please
see the above record].
15.
Soggadu is the only 100 days film in the year 1975
in the following centers.[1. Anakapalli. 2. Ongole. 3. Chirala.
4. Chittoor]
16.
In the year 1975, as Soggadu celebrated 100 days in 19
centers, no other leading hero had a 100 days film in
at least half the number of centers of what Soggadu had(s).
17.
Soggadu is the first color film to celebrate 100
days in Kurnool-victory.
18.
Soggadu is the first color film to run 120 days directly
in Kurnool.
19.
Soggadu is the first film on title role to run 120
days in Kurnool.
20.
Soggadu is the first color film on title role to
celebrate 100 days in Chirala.
21.
Soggadu is the first social film to run 75 days in
Mandapeta (Surya Picture Palace)
22.
Soggadu is the first film on title role to run 75
days in Mandapeta (Surya Picture Palace)
23.
Soggadu is the first film to run 38 days in Penugonda
(East Godavari District)
24.
Soggadu is the first social color film to have minimum
respectable run in as many as 75 centers in A.P.(Ceded-18,
Nizam-14; Guntur-10; East-10; Uttarandhra-8; West 7, Krishna-5,
Nellore-3]
25.
Soggadu remained a record up to Yuvasamrat's Manmadhudu
by having the maximum number of direct 100 days for
a movie releasing in the month of December.
26.
Soggadu is the first social film to complete its
100 days in Kurnool town. It held this record till the release
of Chiru's Yamudiki Mogudu.
26.
Soggadu is the first 100 days film in the following
theaters.
1.
Nellore-Radha (The first 100 days film for any
other hero is Victory Venkatesh's Raja in 1999;
a record which was broken only in the 25th year of its
release).
2.
Anakapalli-Satyanarayana (The first 100 days film
for any other hero is Power star Pawan Kalyan's Suswagatham
in 1999; A record which was broken only in the 24th year
of its release).
3.
Ongole-Ratnamahal (The first 100 days film for
any other hero is Mega star's Gharana mogudu in
1992; a record for 17 years; But remember, when Soggadu
was released, this theater was on the outskirts of the
town but by the time of Gharana Mogudu, it has become
one of the prime properties of the town).
4.
Kakinada-Anand A/c (The first 100 days film for
any other hero is Rebel star's Bobbili Brahmanna
in 1984) (The present Anand has only half the seating
capacity of what the old theater had).
COLLECTION RECORDS
NOTE: The following figures appear in lakhs.
The intrinsic worth of these figures can be determined by
adjusting them with the current market conditions,
1.
Soggadu is the first film in Telugu film industry to collect
Rs. 4,00,000 in Hyderabad within 5 weeks.
2.
Soggadu is the first film in Telugu film industry to collect
Rs 1,75,000 in Anakapalli.(The first film to cross the collections
of Soggadu is Dr. NTR's Vetagadu (In fact, a new theater (Jagannath)
was needed to break this record)
3.
Soggadu is the first film in Telugu film industry to collect
2 lakhs in Machilipatnam.
4.
Soggadu is the first film in Telugu film industry to collect
150000 in Ongole.
5.
Soggadu is the first film in Telugu film industry to collect
Rs. 300000 in 7 centers (single theater) (Hyderabad, Vijayawada,
Nellore, Vishakapatnam, Guntur, Rajahmundry, and Kakinada)
6.
Soggadu is the first film in Telugu film industry to collect
Rs. 200000 in 14 centers (single theater) (Hyderabad, Vijayawada,
Nellore, Vishakapatnam, Guntur, Rajahmundry, Kakinada, Kurnool,
Tirupathi, Warangal, Tenali, Machilipatnam, Eluru, Bhimavaram,
and Vijayanagaram).
7.
Soggadu is the first film in Telugu film industry to collect
Rs. 300000 in Kakinada.
8.
Soggadu is the first film in Telugu film industry to collect
Rs. 300000 in Rajahmundry.
9.
Soggadu is the first film in Telugu film industry to collect
Rs. 300000 in Nellore.
10.
Soggadu is the first film in Telugu film industry to collect
Rs. 100000 in 30 centers (Hyderabad, Vijayawada, Nellore,
Vishakapatnam, Guntur, Rajahmundry, Kakinada, Kurnool, Tirupathi,
Warangal, Tenali, Machilipatnam, Eluru, Bhimavaram, Vijayanagaram,
Secunderabad, Khammam, Nizamabad, Chittoor, Anantapur, Cuddapah,
Bellary, Chirala, Ongole, Gudiwada, Tadepalligudem, Tanuku,
Amalapuram, Srikakulam, Anakapalli)
11.
Soggadu is the first film in Telugu film industry to collect
Rs. 104000 in Chittoor (within five weeks) crossing the 100
days collections of "Ulagam Chutru Vaaliban" an
MGR-starrer was a record prior to Soggadu.
DOUBLE
THEATER RECORDS
Soggadu
is the first film to be shown in two theaters in Miryalaguda
(Lakshmi&Srinivasa).
SHOWS
RECORDS
Soggadu
is the first film to be exhibited 7 shows on the first day
in some main centers.
HOUSE
FULL RECORDS
1.
Soggadu is the first film in Telugu film industry to run with
house fulls for more than 50 days (all shows for 57 days)(Vijayawada-Alankar).
2.
Soggadu is the first film in Telugu film industry which ran
with house fulls for 35 days in five centers ( Vijayawada-57
days, Vizag-39 days, Guntur-Saraswathi-39 days, Rajahmundry-Swamy-35
days, Tirupathi-V.V. Mahal 35 days)
FILMFARE
AWARD:
As an icing on the cake, Sobhan received the Filmfare award
for the Best actor of the year 1976 for his "nayanadakara
navarasbharitha sahaja natana" as an innocent but a self-respecting
villager. This was another feather in the He man's cap and
proved that he belonged to the rare breed of stars, who could
adopt his style to satisfy mass, class and critics simultaneously.
This was the third straight Filmfare award for He-Man (1974-Khaidi
Babayi, 1975-JeevanaJyothi, and 1976-Soggadu). This hatrick
is a record for Telugu film industry and Shobhan is only the
second actor after the thespian Dilip Kumar to receive three
consecutive Filmfare trophies.
This
extensive article is written by Mr. Vijaya Bhaskar.
Special thanks to Hanuman/Jamadagni
You
can reach author at [email protected]
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