Interview
with Ravi Babu - the director:
Tell
us about yourself and your background?
Basically
I am an MBA from Symbiosis Institute of Management,
Pune. After passing out from there, I had two options.
I could either wear a suit and tie and sit in front
of a computer or do what I always liked doing, which
was trying and making a film. To tell you the truth,
I did not even own a still camera till I passed
out from my MBA. When all my friends were landing
up in plush jobs, I joined ace ad filmmaker Mr.
Rajeev Menon as an assistant. That job could not
even fill the gas tank of my motorbike but I channeled
it to fulfill my dreams. My job consisted of carrying
lens, boxes and cameras. I think I was a quick learner
as 3-4 months down the line I was promoted as an
assistant director and assistant cameraman. 6 months
down the line, I was doing shot-divisions and setting
up shoots. 9 months down the line, I handled the
projects independently. 10 months down the line,
I quit the job to go abroad and study in a place
called Film and Television Workshop in USA. I studied
the course of cinematography. Then I moved to New
York and started working as a cameraman for small
shoots. I shot videos for small time musicians,
artists and actors for little money. I put all this
stuff on a tape and I happened to show it to some
executives from Sony. They sponsored me to go to
the Sony Institute of Live Digital Video Technology
in San Jose, CA. I studied the course of Digital
Online Editing. I became an online editor. I came
back to New York and worked as cameraman and online
editor for three years. Then I came back to India
due to family compulsions.
Three
months after I landed up here, I got an offer to
act as a villain in a film. Since I am a big guy
(hefty personality) and had big muscles, which I
developed to operate cameras, they felt that I could
suit the role of villain. So I got offer in 6 six
films to act as a bad guy doing rapes and killing
people. Then I ran back to USA, as I realized that
it's not my cup of tea. Then I reconciled myself
for a period of 3 months and came back to India.
I worked on a couple of projects (one of which is
Suresh productions venture with Venky as hero),
which were supposed to take off. That did not happen,
as you cannot really know why things can't happen
in this industry. Everything looks like its happening
and suddenly you realize that its not happening.
A project can get delayed for n number of reasons
in this industry. I am a very impatient man. I can't
sit idle for a minute. After coming here, I learnt
to understand and accept the delays. Delay is a
part of filmmaking all over the world. At one point
of time, I started acting in films half-heartedly.
I did a film called Murari with Krishna Vamsi. Just
before signing up that film, I made up my mind that
it would be my last film as an actor.
I
have a company called Flying Frogs at Madras. We
make ad films. We served lots of advertising agencies
like HTA and Lintas. To make regional and national
ad films is my basic business. Then we put this
film (Allari) together. We started the shooting
on 24th January 2002. We planned a tight schedule
on a tight budget. As we are making film with new
comers, it does not make business sense to spend
lots of money. We shot it to the budget and to schedule
(45 days). Everybody has been telling me that they
liked the audio of Allari. It would be more liked
when they watched it on the screen along with the
visuals. The visuals are planned to make it look
like a non-Telugu film and a non-standard one. I
personally don't like listening to music by itself.
I like relating music to a visual. That's why I
like music videos better. The film is now into postproduction
and we are planning to release 'Allari' on 10th
May 2002.
Why
did you prefer so many new comers in your film?
It's
not the question of newcomer or the old timer. I
had a set of characters in my film and I was not
going to go by any business pressure that if I put
an old timer I can create a certain amount of business.
What I tried to do is that I have a character. I
had him etched out firmly in my mind. And I found
the people who fit the character exactly. I have
a hero, who is not good-looking; heroines are not
sex bombs and the character actors who are perfect
for their parts. For example, a standard industry
person like Sudha, Annapurna or Delhi Rajeswari
would be given the role of hero's mother. I have
3 sets of parents in 'Allari', out of which two
sets of parents would be constantly interacting
with each other.
In
one set of parents, I wanted a dark old father and
a young pretty mother. So there was a mismatch,
so that there is a reason to create some tension
between them. In other family, I wanted a boyish
looking old man and a fat dark wife. The man had
to look handsome and wife had to look very ugly
and fat. I cast Kota Srinivasa Rao for dark old
man. He is perfect for that role with certain amount
of frustrated look in his face. He is not good looking
and is a terrific actor. For his wife, I signed
a beautiful middle-aged new comer. For heroine's
father, I cast my dad because he is good-looking
man and if we put sporty cloths on him, he looks
younger. He also has comic disposition. I can pay
him less too. For his wife role, I had a problem.
You can't find dark and ugly mothers in Telugu film
industry. I searched a lot for her and finally found
a stage artist called 'Subhashini' in somewhere
near Bheemavaram. Finally I had brought her down
for a screen test. I just had one look at her and
decided that she is perfect for the role. She has
done a terrific job.
How
did your experiences of being editor and lens man
help you as a director for 'Allari'?
Oh.
Yeah! It helped me a lot. Though I am a cameraman
and editor, I used newcomers for these jobs. The
director looks at progression of shots and style
of shoot and the editor in me says me how much length
I have for this shot. The cameraman in me tells
me what is possible and what is not. So all these
three guys in your mind work together in synergy
and come up with a decision very fast. And you are
able to execute the shot right.
Did
you assist any film director?
No.
There
might be some sets of rules about how to direct
a Telugu film. You must have broken most of them.
Yes. I have broken most of them. Some I broke because
of ignorance and some I broke because I felt like
breaking. I don't know how much of them would be
accepted. I think I have broken them to an acceptable
limit, because I have shown the rushes to a few
people. Nobody complained. They all found that it's
different.
What
kind of films do you watch regularly? Telugu, Hindi
or English?
I
grew up on a diet of English films. I also like
watching action Hindi films by Amitab Bachchan.
What
about Telugu films?
The
latest Telugu films I have watched were Murari and
Nuvvu Leka Nenu Lenu.
If
you don't watch Telugu films regularly, how do you
keep yourself updated about the tastes Telugu audience
and trends in Telugu filmdom?
I
am able to fairly guess! There were a couple of
films which were hits and which were predominantly
made for young audiences. As a result, lots of wannabe
producers and directors felt that dishing out youth
films by packaging them with fast numbers, new faces
to act and silly jokes would do the trick. That
has become a trend. Since lots of movies are made
in this pattern, it has become monotonous too.
If
you take 70's and 80's genre American films like
Karate Kids, Scream or I know what you did last
summer, which were made for young audiences. They
were also received well by all the section of people,
as they were well made and brilliantly executed
films, which had central theme, focused storyline,
terrific performances and great technical values.
Now
people are getting fed up of watching too many new
faces and people are dying to watch films of stars.
But there are not many stars who are giving big
hits now a days. We are in a kind of flux where
they are waiting for a big film from a big star
and at the same time they are ready to accept something
different from younger and newer people. That is
where I cam trying to position my film. This film
is for the movie audiences who want to see the same
stuff executed and told to them in a fresh way.
Would
you mind telling the budget of this film?
Sorry!
I can't disclose it.
Tell
us if it is more than a crore or not?
It's
definitely more than one crore yaar!
Is
it less than 2 crores?
I
can't reveal the budget now. I am doing the business
of my film. Revealing the budget at this point of
time would affect my business deals.
How
is the business for this film?
I
did not put any press meeting so far, as I want
to make sure that I make a complete film and then
market it. I don't like boasting about the film,
which is in production phase. I want to see the
final work and then talk to press as a comfortable
position. I would feel guilty if I do a huge press
release at the muhurat and state that it would be
a superhit and then make an average film later.
It also gives a wrong impression about me in the
minds of cinegoers.
What
is the contribution of 'Suresh Movie Film Distributors'
to Allari?
They
are presenting the film. They are partly funding
the project and they are distributing it.
The
success rate of ad filmmakers turned directors is
pretty less in Telugu and Hindi. How do you feel
about it being one among the ad maker turned director?
Why
don't you consider John Mathew Matthan, who made
an excellent film like Sarfarosh? I don't know why
other ad filmmakers failed to make it big in films.
Had the technique overshadowed substance? It might
be a pure coincidence that lots of ad filmmakers
did not click in movie direction.
Why
did you name your company as 'Flying Frogs'?
I
wanted a name for my company which people would
remember when I tell them for the first time. I
did not want to call it as Ravi productions or movies.
I wanted to have a completely offbeat name, which
would go through straight.
Do
you offer any suggestions for director wannabes?
I
am new myself. So I cant really offer any suggestions.
But I would tell you what I did. I am a guy who
has been blessed with lots of opportunities because
of my father and the connections with movie field.
I strongly feel that one should stay focused. Stay
so focused that you would forget everything else
and think this is what you want to do and you have
to do it and there are no two ways about it. Just
believe in yourself constantly. You may have to
meet people who do not want to meet you. You may
have to talk to some people who do not want to talk
with you. You are trying to write a script, which
is not forming in your head. You might constantly
have acidic attacks because nothing is working for
you. You are not able to sleep at night and your
personal life is devastated. But still, I would
say 'stay focused'. If you stay focused and believe
in yourself, it would definitely happen to you!
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