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                        Story 
                           
                          A moving high-voltage, sentimental drama that caters 
                          to family audiences in general. This intense love story 
                          tests a single aspect of human relationship. The first 
                          one is: who is more loved - an orphan boy, picked from 
                          an orphanage and brought up by the couple, or the grand-daughter 
                          of the same couple, but born to a man with whom their 
                          daughter eloped, almost 15 years ago. The entire drama 
                          hangs around this point. Krishnam Raju and Sujatha play 
                          this elderly couple impressively, while Uday Kiran plays 
                          the orphan.  
                        Krishnamraju 
                          plays the crucial role of Raghavayya, a highly-respected 
                          industrialist. Raghavayya makes all arrangements for 
                          the wedding of his only daughter (Meenakumari). But 
                          she elopes with Suman. He finds it difficult to accept 
                          this situation. He soon adopts a young boy from an orphanage 
                          who grows up to be Anand (Uday Kiran). From this point 
                          the drama moves encasing all the emotions. Anand is 
                          not interested in girls. Prasad (Suman), who loved and 
                          married Raghavayya's daughterloses his wife who dies 
                          in childbirth. He names her Sitalakshmi, after her maternal 
                          grandmother, as wished by his wife. Sita and Anand are 
                          now in the same college. On knowing that Anand maintains 
                          a distance from girls, mischievous Sita decides to win 
                          his heart. Eventually the two fall in love.  
                        Prasad's 
                          identity is revealed in a small flashback. He is educated 
                          by Raghavayya when his father, an employee of the industrialist, 
                          dies.  
                        With 
                          the entrance of Prasad's daughter Sita, the story picks 
                          up in tempo.  
                        Shriya 
                          simply corners the show. She offers her best performance 
                          till date. She matches up to Krishnamraju in the common 
                          scenes especially after she reveals the truth of her 
                          birth.  
                        
                        Even 
                          Prasad, realises his mistake of separating such a loveable 
                          Raghavayya from his daughter. The only solution to the 
                          drama is to make Raghavayya feel that blood is thicker. 
                          How that happens forms the rest of the film.  
                        For 
                          Krishnam Raju, now a central minister, this is a great 
                          comeback with a resounding performance, maintaining 
                          that dignity the character deserves. Quite a number 
                          of tear-jerking scenes are quite moving. Brahmanandam's 
                          character provides that badly needed relief. Suman gets 
                          a role befitting his age. But he need not have been 
                          made to look that stubborn as is shown, when he faces 
                          his benefactor. Sujatha is as cool as ever contributing 
                          greatly to the sentimental impact.  
                        Rajasekhar 
                          directs for the first time in Telugu.And he does so 
                          carefully and dexterously. He will surely win appreciation 
                          especially in handling the drawing room drama to utter 
                          perfection. Dialogues are by the seasoned writers - 
                          Paruchuri Brothers. Music by R.P.Patnaik has familiar 
                          tunes, but the background score is quite invigorating. 
                           
                        courtesy: 
                          The Hindu 
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