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                    Bala Chandar, AR Rehman and Madhavan are crowd-pulling names 
                    today. This 100th directorial venture of Balachandar, however, 
                    falls short of expectations. Madhav 
                    (Madhavan) is a celebrity doctor and is chased by a hoard 
                    of girls for his autograph. Sheela (Sneha), a nurse in the 
                    same hospital is one among his admirers. She remains secret 
                    lover almost till the end. Meanwhile, Madhav gets married 
                    to one Simi (Simran), hoping this will stop the girls from 
                    chasing him. Madhav 
                    and Simi have a normal life till a woman, Rekha, (Radhika 
                    Chowdary) a London-based surgeon and her child land up at 
                    their doorstep. The problem begins when it is revealed that 
                    the boy's father is none other than Madhav. However, 
                    Rekha says she does not want to claim back Madhav, and is 
                    just contended with having a child by him. But 
                    the inevitable happens. Madhav and Simi get separated. The 
                    rest of the film shows the couple's travails and their eventual 
                    getting back together. A dancer (Lawrence) plays a significant 
                    role in all their lives. While 
                    Madhavan manages well to keep his cool, with mild expressions, 
                    it is Simran's immature acting that spoils the emotional part 
                    of the drama. She fails to express scenes. Lawrence' role 
                    is undefined. Sneha impresses and Radhika is adequate. Rehman's 
                    music score sticks mostly to traditional tunes supported by 
                    imaginative instrumentation.
 courtesy: 
                    The Hindu
 Paravasam 
                    linksTimes of India review
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