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                          Director: Ravi ShankarMusic: Anu Malik
 Starring: Fardeen Khan, Richa Pallod, Farida 
                          Zalaal
 
  
                          Review
 
  This one belongs to the era when there were jajmans, 
                          Zamindars, bullock carts and the order of the day was 
                          determined not by the rule of the land but the mighty 
                          under whose feet the earth was brought up by the meek. 
                          But Ravi Shankar is no Priyadarshan nor is debutante 
                          Richa Pallod a patch on Tabu. And Kuch Tum Kaho Kuch 
                          Hum Kahein is no Virasat. Need one say more? Hence, 
                          we have a mish-mash of a film that has had poor Fardeen 
                          Khan pinning a lot of hopes. But, he is not poor. Not 
                          by a long stretch. He is quite good, affable in the 
                          role of a lover boy out to mend fences with his estranged 
                          grandfather. But one good performance does not usually 
                          a film make. So it is here. He deserves better.  
                           Set 
                          in a rural milieu, this is yet another extended family 
                          potboiler Bollywood has taken a fancy to post - Hum 
                          Aapke Hain Kaun! Hence we have Mummy, Papa, Chachi, 
                          Chacha, Bua, Phuphi, Pinky, Tinku and dear old faithful 
                          Tommy living under the same roof, eating from the same 
                          kitchen, sharing each other's sorrows and joys. But 
                          like Dilwale Dulhaniya Le Jayenge, Pardes and countless 
                          other films one element is missing. That is the presence 
                          of a handsome young woman who can be paired off with 
                          each other, leaving plenty of scope for nice banter, 
                          a couple of songs and the inevitable. Not to forget 
                          Bollywood-style corny humour. That is taken care of 
                          with the grandpa and grandma's shashtiabdipurt on the 
                          60th anniversary of their marriage. Everyone who is 
                          someone is called for the wedding. This includes the 
                          adopted granddaughter and the estranged grandson. They 
                          are young, eligible, available, willing. Hence we get 
                          some good one-liners before the smokescreen of clichés 
                          takes over.  
                           The 
                          film is watchable until then. But once it devolves into 
                          tradition, hostility, and whatever one can take umbrage 
                          over, it is a constant slide downhill. Then all that 
                          one waits for is for the exit sign to glow. You and 
                          I do not need to utter a word more about Kuch Tum Kaho. |