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The Great Pre Wedding Show Jeevi review

The Great Pre Wedding Show

Credits

Jeevi rating: 3/5
Punchline
: Thiruveer, Teena Sravya, Rohan Roy, Narendra Ravi, Yamini Nageswar, Waltair Vinay, Prabhavathi, Madhavi, Jogarao, Bank Basha
Genre:
Family/Romance
Type:
Straight
Banner: 7PM Productions in association with Puppet Show Productions
Runtime: 116 minutes
Release date
: 07 November 2025
Theatre watched: Screen 2, PVR Rk Cineplex, Hyderabad

Cast
: Thiruveer, Teena Sravya, Rohan Roy, Narendra Ravi, Yamini Nageswar, Waltair Vinay, Prabhavathi, Madhavi, Jogarao, Bank Basha

Music:
Suresh Bobbili
Cinematography:
Soma Sekhar
Editor:
Naresh Adupa
Production designer
: Phani Teja Musi
Story - Screenplay - Director:
Rahul Srinivas

Producer: Agaram Sandeep

 
Review

Story
Ramesh (Thiruveer) runs a xerox shop and also works as a photographer, capturing events in his village near Srikakulam. He secretly admires Hema (Teena Sravya), who works at the Panchayat office right across from his shop. When Anand (Narendra Ravi) gets engaged to Soundarya (Yamini Nageswar), he approaches Ramesh for an elaborate pre-wedding shoot. Ramesh shoots it in grand style, spending nearly ₹2 lakhs on the project. However, things take a chaotic turn when his assistant Ram Charan (Rohan Roy) accidentally loses the chip containing the entire shoot. What follows is a hilarious chain of events as Ramesh, along with Hema and Ram Charan, tries to fix the mess - leading to a series of comic and heartwarming situations.


Artists Performance


Thiruveer delivers a terrific performance as the lead. His biggest strength - the innocence in his face - works beautifully for this character, bringing out both his sincerity and good-hearted nature with ease. Teena Sravya shines as the female lead; her subtle expressions, especially through her eyes, are remarkable. She’s definitely an actress to watch out for. The way she conveys her feelings for the hero without relying on dialogue is outstanding. Rohan Roy perfectly captures the vibe of a youngster who’s more interested in food than work, and he is downright hilarious. But the show-stealer is Narendra Ravi, who nails the balance between innocence and pompousness. He convincingly looks like someone capable of causing trouble, yet still radiates kindness - a tough mix to pull off. Yamini Nageswar is impressive as the bride. The entire supporting cast is spot-on, and everyone excels in delivering the Srikakulam dialect with authenticity.

Story - screenplay - direction: Director Rahul Srinivas crafts the film with honesty and freshness, avoiding any formulaic approach. His writing and screenplay feel organic and true to the story’s world. It’s refreshing that the interval twist arrives as a pleasant surprise, leaving the audience curious and eager to guess what the central conflict in the second half might be. The humor arises effortlessly from the characters and dialogues, rather than being imposed. Rahul also uses clever visual cues. For instance, in the opening scene, Rohan Roy loses a five-rupee coin through a hole in his shorts - a small detail that subtly mirrors how the camera chip is lost later in the story. There’s a genuine sincerity in his storytelling while maintaining the film’s entertainment value. The final exchange between the groom and the photographer is deeply heartfelt, as is the touching scene where both mothers resolve the conflict. The unspoken love story between the leads is endearing, and the emotional pain of the bride and groom’s separation is portrayed with authenticity. Except for a few slightly slower moments in the second half, the screenplay remains engaging throughout. The climax is simple yet impactful. Rahul Srinivas emerges as a promising filmmaker to watch out for.

Other departments: Music by Suresh Bobbili is a pleasant surprise. He gives trendy tunes for a rural story which amps up the mood of the visuals. A bit of it reminded me of Vivek Sagar style. Cinematography by Soma Sekhar is decent. Dialogues written by Ragul Srinivas are authentic and charming. Phani Teja Musi’s production design is authentic. Editing by Naresh Adupa is good. Production values by Agaram Sandeep are commendable for a rural-themed film.

Analysis: We often see teasers and trailers filled with promise, only to find the actual film falling short on the big screen. In contrast, The Great Pre Wedding Show turns out to be a refreshing and thoroughly enjoyable experience in theatres. Director Rahul Srinivas delivers an entertaining rural tale filled with delightful characters that exude innocence and rustic charm. Though the storyline is relatively thin and a few portions feel repetitive, he ensures the audience stays engaged and smiling throughout. The film’s strong casting and heartfelt performances enhance its appeal, while Suresh Bobbili’s music stands out as a major asset on the technical front. Overall, The Great Pre Wedding Show is a breezy, entertaining watch that works beautifully on the big screen with its warmth, humour, and engaging narration.

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